“The beauty of things and of people is enhanced by the necessity of their disintegration and death” (Spelman,106)
Death has held a fascination in human nature since the dawn of time because of its unknown element. Writers and famous artists have been known to, in extreme cases, take their own lives in order to create an aura of mystery around their work and draw the public in through the fascination with the unresolved. Elizabeth Spelman touches on this obsession in her closing chapter of Repair, through the discussion of ruins. Ruins are pieces of the structures that formed pillars in the society they were created in that have been left behind as a reminder of what that era held for the future generations. She discusses how their allure comes from their degeneration, because:
“…ruins are ‘important not for helping us reconstruct past civilization but for assuring us there will always be something bigger than that’ ” (Spelman,105).
Ruins are pieces of culture that are not meant for repair, which in some ways counteracts her earlier points on the need for repair. She explores a new depth in this chapter that she merely touched upon before: the idea of repair as detrimental. Earlier in the novel, she discusses Louise, Elizabeth, and Irene, the women who touch up artwork without leaving any trace of their work in the original piece. The work they perform is similar to the concept of detrimental repair, however the repair they do is still necessary for retaining the beauty of the piece. Ruins cannot be “touched up without a trace”, or restored in any way because their very decay is what enthralls humanity.
The theory that sometimes things should not be repaired and must be left to be ruined does not just pertain to physical things; it can also relate to interpersonal relationships. A relationship is fragile, and when it is not meant to withstand long periods of time, the beauty of human connection can lose its appeal and the bond will sour. Those involved will be left with distaste for the other and the original spark will be lost in bad memories. For instance, I had a friend whom I was very close with, and our friendship was always tumultuous. We constantly argued, but there was a certain quality that kept me coming back to mend the friendship. The first few times it held an appeal to me; however, I began to grow tired of constantly losing myself in the drama and whirlwind of it. The difference between our relationship and Spelman’s ideology that something ruined can be beautiful in its very disrepair is that the disrepair of it made it unworthy of my attention. I became exasperated with sacrificing my own life and the things I needed to do in order to feel true to myself to maintain a friendship, and so I engaged in one last confrontation and left the entire affair in shambles. However, instead of looking back on it and thinking about it with fascination as you would with the Colosseum and its rich history within the ruins, I look back with aversion because of the emotional instability. Ruins can be both beautiful and tragic in physical form, however in emotional form they are generally better left in the past.